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Stumped

With some help, I’ve created a stumpery in my woodland, using oak stumps I had dredged out of my ponds last year. I’m dedicating this area to Bob: Upside down (a bit like I’m feeling now) and out of the box as he was.

Bob and the arts – Malcolm MacGarvin

I knew Bob from the Greenpeace days onward. What to write? Having read all the contributions, I thought I’d add a bit more about Bob’s contribution to, and appreciation of, art in all its forms. Of which some vignettes, and some related photos.

Vignettes

My first impression from staying over in Bob’s flat in Ladbroke Grove was the artwork (including Picasso) on the walls and the vast collection of classical CDs in the 1990s when music was very expensive. All this heard on the Quad stereo with its huge black electrostatic panel speakers, dominating the room like two flat obelisks from Kubrick’s 2001 – first in London, then in Pete’s barn, then at the Cottage. With Bob in full flow, such as “You absolutely must listen to this – Quartor Vegh. Beethoven … first time I heard this (String Quartet No. 14 in C sharp)” says Bob “it blew me away – music so far ahead of its time …” Or a short burst of subtle conducting by Bob, perhaps in response to some Mahler. All typically accompanied by decent wine and some inside story. Bob played a major part in making classical music a part of my life. His seat is now empty, but at least his personality, as represented by his collection, lives on, replicated in mine.

It should also be said that Bob had an ability to conjure tickets, at no or low cost, typically “from an old friend” (often female). Cue Glyndebourne, Bob, camera in hand, fag, wine, sunny day, picnic on the lawn, for a performance of Julius Caesar – Bob was sceptical of the long Handel opera but blown away by the vivacious performances, notably that of the Cleopatra (not the only one … she subsequently married the boss of Glyndebourne).

Then there was the photography, Bob equipped with the photographer’s lust object of the time, a Leica M6, with the lenses to match. Pictures in the Science Photo library from old Greenpeace toxics campaigns still brought in the occasional surprise of a cheque. But Bob especially had a remarkable ability to get people he didn’t know to relax in front of the camera, with some of the best from India. I was delighted to help realise his images via the dark arts of printmaking.

Then there were the films. Apart from his film making, already better described by others, there was the huge DVD collection, and then the home barn cinema … accompanied by Bob’s (entirely appropriate) memorable venting of frustration with the complex set up procedures of first generation home movies.

There were also the books – “You absolutely must read Pax Britannica, Malcolm. She got it absolutely right about the British Empire, magnificent. Jan Morris – Interesting author- changed sex midway through writing it”.

About all of this wove the conversation, now at an end.

Bob  “No pockets in a shroud”. Rest in peace.

 

Farewell Dear Bob

Bob 1978

Bob 1978

 

10 February.2016

Bob wrote the script for his final movie in which, albeit absent, he would both direct and play the starring role. He chose the location of his last resting place, the music and exactly when it was to be played. He chose Humanist undertakers, his casket, and even what was to be drunk at the party afterwards. Yes, he referred to it as a party, and he wanted his family and friends drinking champagne. John and Frank followed Bob’s script faithfully and organised everything with sensitivity and strictly according to Bob’s precise written instructions.

Bob played the music for his funeral service to Jake and me on several occasions over the last couple of years. He got a great kick out of the juxtaposition of the sublime voice of Kathleen Ferrier singing Mahler’s ‘Farewell’, from ‘The Song of the Earth’, and the raw energy of Blue Oyster Cult ‘Don’t fear the Reaper’. There he was at his desk, where he spent so much time, laughing like a drain at the changeover, running an internal movie of his own funeral. I’m not sure he knew just how moving, and unfunny, the music would be on the day and he certainly didn’t foretell what a large number of friends, old and new, from near and far, would make such efforts to turn up to say goodbye to him in a little glade in the middle of nowhere.

The night before Bob’s burial, there was a small gathering, a chance for a last meal together in Bob’s kitchen for his family and a few close friends, some old and some more recent. In many ways, it was like so many similar occasions down the years when Bob would import me, his erstwhile galley slave, to do the shopping and cooking for his brothers and sisters-in-law. Except this time, the main man was missing; like a light bulb had been blown, the house seemed so much darker than usual, and the air peculiarly thin in the particular oxygen that Bob imparted to social gatherings. All evening I had the strange, and stupid, feeling that any minute he’d turn up in a taxi from the airport, just as he had done so many times when we lived there, burst through the door, same wicked grin in place, laughing, and tell us he was only joking.

Still, we managed as best we could; told and listened to old tales, some funny, some now sad on the back of Bob’s final departure. Glad of each other’s company, we smiled and shed a tear or two before retiring in the hope of a good night’s sleep before our last goodbyes to a man like no other in our lives.

 

If Death Is Not The End by Robyn Hitchcock

If death is not the end, I’d like to know what is.
For all eternity we don’t exist,
except for now.
In my gumshoe mac, I shuffled to the clifftop, Stood well back,
and struck a match to light my life;
And as it flared it fell in darkness
Lighting nothing but itself.
I saw my life fall and thought:
Well, kiss my physics!
Time is over, or it’s not,
But this I know:
Life passes through us like the blade
Of bamboo growing through the prisoner pegged down in the glade It pierces your blood, your screaming head –
Life is what happened to the dead.
Forever we do not exist
Except for now.
Life passes through us like a beam
Of charcoal green – a golden gleam,
The opposite of how it seems:
It’s not you that goes through life
Life is the knife that cuts your dream
Around the seam
And leaves you turned on in the stream, laughing with your mouth open,
Until the stream is gone,
Leaving you cracked mud,
Not even there to be absent,
From the heartbeat of a dying fish.
In bed, upstairs, I feel your pulse run with the clock
And reach your hand
And lock us with our fingers
As if we were bumping above the Pole.
Yet I know by dawn
Your hand will be dry bone
I’ll have slept through your goodbye, no matter how long I wake. Life winds on,
Through Cheri and Karl who can no longer smell chocolate,
Or see with wonder wind inflate the sail,
Or answer mail
Life flies on
Through Katy who was Catherine but is bound for Kate
Who looks over her shoulder at the demon Azmodeus,
And sees the Daily Mail
(I clutch my purse. I had it just now.)
Life slices through
The frozen butter in the Alpine wreck.
(I found your photo upside down
I never kissed a girl so long,
So long, so lovely or so wrong) Life is what kills you in the end And I can cry
But you won’t be there to be sorry You were made of life
For ever we did not exist
We woke and for a second kissed.

Jake & Bob Mallorcax

Bob and Jake. Mallorca 1985

Our Love Caroline & Jake

From Anne Dingwall, a touch of Frost (Robert)

When I see birches bend to left and right

Across the lines of straighter darker trees,

I like to think some boy’s been swinging them.

But swinging doesn’t bend them down to stay

As ice-storms do. Often you must have seen them

Loaded with ice a sunny winter morning

After a rain. They click upon themselves

As the breeze rises, and turn many-colored

As the stir cracks and crazes their enamel.

Soon the sun’s warmth makes them shed crystal shells

Shattering and avalanching on the snow-crust—

Such heaps of broken glass to sweep away

You’d think the inner dome of heaven had fallen.

They are dragged to the withered bracken by the load,

And they seem not to break; though once they are bowed

So low for long, they never right themselves:

You may see their trunks arching in the woods

Years afterwards, trailing their leaves on the ground

Like girls on hands and knees that throw their hair

Before them over their heads to dry in the sun.

But I was going to say when Truth broke in

With all her matter-of-fact about the ice-storm

I should prefer to have some boy bend them

As he went out and in to fetch the cows—

Some boy too far from town to learn baseball,

Whose only play was what he found himself,

Summer or winter, and could play alone.

One by one he subdued his father’s trees

By riding them down over and over again

Until he took the stiffness out of them,

And not one but hung limp, not one was left

For him to conquer. He learned all there was

To learn about not launching out too soon

And so not carrying the tree away

Clear to the ground. He always kept his poise

To the top branches, climbing carefully

With the same pains you use to fill a cup

Up to the brim, and even above the brim.

Then he flung outward, feet first, with a swish,

Kicking his way down through the air to the ground.

So was I once myself a swinger of birches.

And so I dream of going back to be.

It’s when I’m weary of considerations,

And life is too much like a pathless wood

Where your face burns and tickles with the cobwebs

Broken across it, and one eye is weeping

From a twig’s having lashed across it open.

I’d like to get away from earth awhile

And then come back to it and begin over.

May no fate willfully misunderstand me

And half grant what I wish and snatch me away

Not to return. Earth’s the right place for love:

I don’t know where it’s likely to go better.

I’d like to go by climbing a birch tree,

And climb black branches up a snow-white trunk

Toward heaven, till the tree could bear no more,

But dipped its top and set me down again.

That would be good both going and coming back.

One could do worse than be a swinger of birches.

 

Metaphorically Bob was a swinger of birches.  And I hope his last thoughts were “ I’d like to go by climbing a birch tree…that would be good both going and coming back…”

Neil Palmer

When Bob interviewed me as a prospective lodger in 2007, he placed an object in the middle of the table. “If you can guess what it is, you can move in.”

Of course, he knew I was never going to correctly identify his Fijian cannibalising fork. But we got on well and he proposed I move in for a three-month trial. It ended up being a year-and-a-half.

And sure, we had our moments. We were two intransigent Celts with a 32-year age gap, sharing a remote cottage in the Suffolk wilds, probably drinking too much – Bob at least. There was the potential for conflagration, but flashpoints were rare.

Instead, so many moments were absolutely golden. Out of everyone I know, Bob probably holds the record for having me on the floor in stitches the most times. Supremely intelligent, his comedic timing was flawless, articulation impeccable, and his wit utterly and brilliantly acerbic. He could be devastatingly funny with the minutest shift in intonation. I still spontaneously laugh out loud when incidents pop into mind.

There was also Bob, the poker-faced Devil’s advocate. And Bob, the master of bombastic theatrics in dismissing disagreeable points of view. And Bob, the deliberately controversial (“Tesco should run the country!”). And Bob, the completely charming host. And Bob, with the Audi with the bullet hole stickers on the back. And Bob, with the booming belly laugh. And Bob, with the occasional thunderous glare.

There are so many memories. From the night I made the mistake of leaving an entire bottle of brandy on the kitchen counter. To the day he verbally bludgeoned an unfortunate soul at a BT call centre because of consistently dysfunctional rural internet. To the evening we nodded along in mutual appreciation of UB40’s Don’t Break My Heart – probably one of his favourite songs and as a result, now one of mine. To the day he sampled my fiery, homemade chilli chutney: I never knew he could move or explete quite like that.

There were also the days I would arrive from work to a silent house and hover between the living room and kitchen, listening out for the sound of snoring, hoping today wasn’t the day the years had caught up with him. Bob made no secret of his surprise at the resilience of his own body, “Clearly I have the constitution of a horse.” And he really did.

As a landlord, Bob was always respectful and fair with me. But much more than that: he quickly came to treat me as a friend or family member. He shared so much, so freely – his feelings and regrets, stories of his upbringing, his travelling tales. There were so many wild and wacky anecdotes I wish I’d written down. Then there was his encyclopedic knowledge of classical music and art. And the guy was the most prolific consumer of literature I’ve ever met; a book every couple of days. He also took a keen interest in where my career might take me; never short of advice, but always considerate about how he delivered it.

We established pretty quickly that loyalty meant a lot to us both, and we made much of our connection as Celts. I think we both saw it as the unshakable foundation for what we knew was an unusual cross-generational friendship. Here was someone my dad’s age who was more like a big, bear-like brother. And one with the kind of hug that would squeeze the air out of me.

Once I moved abroad, we stayed in touch although inevitably less frequently. But I love the way I can still read the emails and hear Bob’s voice as clear as day – and of course, the dry wit sizzling in every sentence.

I heard the news of Bob’s death only yesterday. I spent the rest of the day swinging between tears and chuckles as all the incidents from that year-and-a-half flooded back. It’s been amazing to read everyone’s tributes and know he was so well-loved up until his last day. I’m still recalibrating to take account of the fact that Bob is no longer around. But of course, he’s going to be with me for a long time yet. Him and his cannibalising fork.

With much affection,

Neil.